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ON STAGE

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Homo Dramaticus

Homo Dramaticus by Alberto Adellach
Directed by Alberto Justiniano, Sir Curtis Kirby III, Meena Natarajan, and Dipankar Mukherjee

November 8-November 17, 2024

ASL Performance November 10th

The Southern Theater

Content Guidance: Mentions and depictions of gun violence, political violence, sexual harassment/assault, and murder. Loud sounds including gunshots, bombs, and sirens present. Use of strobe light effects. Recommended for individuals 16 and older.

Two Theaters, Once Voice: Unmasking the Human Drama

Pangea World Theater and Teatro del Pueblo are excited join together to present Homo Dramaticus, a series of three short plays by Alberto Adellach, exploring different aspects of the human condition. Homo Dramaticus delves into humanity’s complexities through Children (Criaturas), which explores childhood innocence and discovery, March (Marcha), a surreal tragicomedy that warns of dehumanization, and Words (Palabras), which investigates the profound impact of communication and language on shaping reality. Each play offers audiences a unique lens through which to view timeless and relevant societal issues.

Alberto Adellach, born in Buenos Aires, is renowned for his powerful plays that often reflect the political turmoil of his homeland. His works have endured beyond borders, resonating with audiences around the world for their poignant themes and social critique.

Cast

Children (Criaturas) —  Nate Kay, José Sabillón

March (Marcha) —  Paulina Aparicio, Wasima Farah, Sarah Furniss

Words (Palabras) —  Ernest Briggs*

* Actor Equity Association

Artistic Personnel

Director of March (Marcha) — Alberto Justiniano

Directors of Words (Palabras) — Meena Natarajan and Dipankar Mukherjee

Director of Children (Criaturas) — Sir Curtis Kirby III

Assistant Director Words (Palabras) — Isabel Koch

Assistant Director Children (Criaturas) — Jennifer Cortes 

Lighting Designer — Jordan Hall

Set Designer — Mike Grittner

Costume Designer — Abigail Vaughan

Choreographer — Sandra Agustin

Sound Designer — Diego Vasquez Rios

Musician — Vladimir Garrio

Production Staff

Stage Manager — Cassi Henning

Production Assistant — Nathan Berglund

Production Assistant — Queenie Wynter

Production Assistant — Noelle Awada

Program

Performance Guide

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Photos by Bruce Silcox

Press

Talkin’ Broadway

"Homo Dramaticus is compelling, beautifully rendered and deeply thought provoking. The work is challenging, which is what makes it all the more essential."

Cherry and Spoon

November 15, 2024
"Everyone in the six-person cast is so good, really committed and believable in their roles. Acting almost as a seventh ensemble member, musician Vladimir Garrido plays multiple instruments (often at the same time), the guitars, flutes, and percussive instruments almost in conversation with the cast. The traditional South American music and instrumentation lends an authenticity to the story, adding warmth and color, and filling the space between the plays.
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Death and the Maiden

Death and the Maiden by Ariel Dorfman
Directed by Ismail Khalidi

October 25-November 2, 2024

ASL Interpretation: October 27th

Pangea World Theater Studio

TICKETS bit.ly/PWTDeathAndTheMaiden

 

Content Guidance: Use of prop gun on stage. One instance of gun shot sound played. Mentions of sexual, physical, psychological abuse and assault. Recommended for individuals 16 and older.

Photos by Gisell Calderon

“A terrifying moral thriller which combines brilliant theatricality with clear thought and fierce compassion.” — London Sunday Times

Set in an unnamed country emerging from a U.S.-backed dictatorship, the play explores the ripple effects of state violence. With an unknown visitor arriving at their secluded beach house one night, Paulina Escobar is sure she recognizes the guest’s voice from her own harrowing detention years before. Deciding to take justice into her own hands, the following 24 hours are full of tension and intrigue as Paulina’s husband is forced to decide whether to believe his wife or the seemingly respectable Dr. Roberto Miranda.

 

This riveting white knuckle thriller is an intellectual and emotional tug of war about time, trauma and the meaning of justice. 

Cast

Paulina Salas — Claudia Veronica Garcia

Gerardo Escobar — Tyler Stamm

Roberto Miranda — Tom Whalen*

* Indicates Equity actor

Artistic Personnel

Director — Ismail Khalidi

Lighting Designer — Jasmin Garcia 

Set Designer — Sadie Ward 

Assistant Set Designer — Briana Boden 

Costume Designer — Claire Frederick 

Sound Designer — Dameun Strange 

Choreographer — Leila Awadallah 

Production Staff

Stage Manager — Suzanne Victoria Cross 

Production Assistant — Janet Sanchez 

Production Assistant — Noelle Awada

Production Assistant — Moe Kojima

Program

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Performance Guide

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Press

Minnesota Theater Love

October 25, 2024
"The new production of Death and the Maiden at Pangea World Theater is a tense thriller that will linger in audience members' minds long after they leave the theater. "

Talkin’ Broadway

The choice of this challenging production speaks to Pangea World Theater's ambitious vision of a just world."
Hecuba

Hecuba by Marina Carr
Directed by Dipankar Mukherjee

April 5-21, 2024

The Southern Theater

Photos by Bruce Silcox

Hecuba “teases out the barbaric aftermath of the fall of Troy, while also presenting it as a metaphor for the modern day plight of those dispossessed by warfare – especially women and children.” — The Stage

In the aftermath of the fall of Troy, Agamemnon, the victor, locks horns with Hecuba, the vanquished queen. Both have suffered intimate loss — the sacrifice of a daughter, the murder of a son. In Marina Carr’s bold engagement with Euripides, there’s a demand for further bloodshed. The drama weaves threads of inconsolable rage and grief with fate, revenge and inevitable carnage. It explores the shreds of duty and honour as well as the terrible deeds hatred breeds as it touches bravely on Hecuba’s heroic nature and ‘the endless tears of women’.

Cast

Hecuba Queen of Troy, Wife of Priam — Suzanne Victoria Cross

Agamemnon King of Achaeans — Matthew Saxe

Cassandra Daughter of Hecuba — Ankita Ashrit

Polyxena Daughter of Hecuba — Anne Guadagnino

Polymestor King of Thrace — Ernest Briggs*

Odysseus King of Ithaca — Tyler Stamm

Polydorus Youngest Son of Hecuba — Nathan Berglund

Nepotolemus Son of Achilles — J. Antonio Teodoro

Boy 1 Son of Polymestor — Neel Shah

Boy 2 Son of Polymestor & Servant — Sudarsna Mukund

* Indicates Equity actor

Artistic Personnel

Director — Dipankar Mukherjee

Assistant Director — Sir Curtis Kirby III

Lighting Designer — Mike Grogan

Set Builder & Lead Carpenter — Orin Herfindal

Costume Designer — Mary Ann Kelling 

Assistant Costume Designer — Laura Jones

Composer, Live Musician & Sound Designer — Bethany Lacktorin

Choreographer — Sandra Agustin

Dramaturg — Amy Muse

Production Staff

Stage Manager — Cassi Henning
Assistant Stage Manager — Winona Honey

Production Assistant — Zachary Kulzer 

Production Assistant — Nathan Berglund

Program

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Performance Guide

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Press

WCCO Mid-morning

April 3, 2024
Mid-morning host Shayla Reaves and Heather Brown interview Suzanne Victoria Cross (Hecuba and Pangea World Theater Production Manager) and Dipankar Mukherjee (Director and Pangea World Theater Co-Artistic Director).

Minnesota Theater Chat Podcast

March 24, 2024
Julie Jackson of Minnesota Theater Love and Jill Schafer of Cherry and Spoon dig into the work of Pangea World Theater with Adlyn Carreras (General Manager) and Suzanne Victoria Cross (Hecuba and Production Manager).

Sahan Journal

April 5, 2024
Myah Goff interviewed director and co-artistic director, Dipankar Mukherjee. “Our job is to bring people together, to engage in a discussion so that hopefully, every day we’re asking questions. Along with the audience, we’re searching for answers out of this violence, you know? What do we need to do so we don’t leave the next generation behind, where everything is set up for them to be depressed and jaded?”

Cherry and Spoon

April 6, 2024
“A beautifully written play…gorgeous and tragic”

Minnesota Theater Love

April 7, 2024
"Carr's play brings the horrors of war from the ancient world into our own and is sadly relevant to our own time.”

American Kahani

April 9, 2024
"Experiencing Hecuba was cathartic."

Call & Response

April 12, 2024
"Scratch the surface and underneath is all this savagery."

Directing fellow, Ismail Khalidi, in discussion with playwright Marina Carr on Hecuba.
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Returning to Haifa

Returning to Haifa
Written by Ghassan Kanafani
Adapted by Naoimi Wallace and Ismail Khalidi
Directed by Dipankar Mukherjee

April 21-23 & May 3-6, 2023

Mixed Blood Theatre

Photos by Bruce Silcox

"Kanafani’s parable is even-handed enough to explore the agony of both the exiled Palestinian couple and the Jewish widow...and to empathize with all of them." — Jewish Renaissance 

The touching story centers on Palestinian couple Said and Safiyya who were forced to flee their home in 1948. Now, in the aftermath of the 1967 Six Day War, the borders are open for the first time in 20 years and the couple dare to return to their house in Haifa. They are prepared to find someone else living where they once did. Yet nothing can prepare Said and Safiyya for the encounter they both desire and dread.

Cast

Said — Ernest Briggs*

Young Said/Dov — Mohamed Haji

Safiyya — Rasha Ahmad Sharif  

Young Safiyya — Sayli Khadilkar

Miriam — Esther Ouray

* Indicates Equity actor

Artistic Personnel

Director — Dipankar Mukherjee 

Assistant Director — Sir Curtis Kirby III 

Lighting Design — Mike Grogan 

Set Design — Orin Herfindal 

Costume Design — Mary Ann Kelling 

Sound Design — Eric M. C. Gonzales 

Movement Coach — Leila Awadallah 

Production Staff

Stage Manager — Suzanne Victoria Cross 

Assistant Stage Manager — Winona Honey 

Directing Apprentice/Production Assistant — Zachary Kulzer 

Program

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Press

American Kanafani

April 25, 2023
“The story was powerful when it first came out and remains so now as the Israel-Palestine conflict rages on."

MPR — Art Hound, William Nour

April 27, 2023
“It's my reality. I came here when I was 16. Basically, because there were no opportunities for Arabs in Israel, like as second-class citizens. So it's very poignant for me and it's just — I cried when I saw it for the first time.”

Talkin' Broadway

"Though set in 1947, 1948 and 1967, it is as timely as a BBC breaking news report."
Pangea World Theater gratefully acknowledges that we are on the sacred traditional lands of the Dakota people. It is an honor to live, work and create art and community alongside Dakota, Ojibwe and other Indigenous people in the Twin Cities.
Pangea World Theater
711 W Lake St, Ste 101
Minneapolis, MN 55408
(612) 822-0015
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